Close looking changes the work.
Nothing is filed by date or size. Pieces sit together because they share a gesture or a kind of light. Less a catalog, more a way of staying in front of an image.
Selected work
Three studies from the archive as it stands.
Untitled (Hand Study)
A hand opens beneath a green circular field.
Untitled (Figure Study)
Warm pigment gathers around a resting figure.
Untitled (Fish Portrait)
A portrait appears inside a moving school of fish.
Light enters slowly.
The dark does the heavy lifting. It holds the color up and gives the edges their weight, so one warm mark can carry the whole room.
Studio notes
Things the work keeps saying.
“A gesture can remain unfinished and still feel exact.”
Edges hold the pressure of the hand. The page records both the mark and the hesitation around it.
On violet
Violet sits between bruise, dusk, and artificial light. It can make graphite feel colder and orange feel newly alive.
Print editions
Coming soon.
A small edition is in proof. Until it's ready, everything here is for looking.
See the work in person.
Available work, commissions, studio visits.