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Afterimage
Charcoal and canvas

What the body remembers.

Drawings about pressure and repetition, and the marks that stay behind.

See the work
A graphite portrait appears inside a moving school of pale fish forms.

Selected fragments

Whole pieces and close crops. Each holds a different kind of attention.

A painted hand reaches upward through a green-black field.

Untitled (Hand Study)

Mixed media on paper

A resting figure painted in ochre, rust, violet, and black.

Untitled (Figure Study)

Mixed media on paper

A figure studies warm lantern light inside deep blue darkness.

Untitled (Lantern Study)

Pastel and pigment on dark paper

A graphite portrait is surrounded by fish forms.

Untitled (Fish Portrait)

Graphite and wash on paper

A painted hand opens beneath a green circular field in darkness.

A mark is a record.

The paper keeps everything: the drag, the scuff, the repair. Look close and you can tell what happened first.

Observations

Notes on color, gesture, and shadow.

The brightest mark is rarely the biggest. One small warm note can hold a whole dark field together.

Prints, eventually.

No store yet. The first edition opens when the proofs are right.

Detail of a graphite face emerging from a black field.

Bring the work into the room.

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