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A charcoal portrait emerges from a deep black field.

Carbon remembers.

Charcoal portraits and canvas paintings. Most of them started in the dark and stayed there.

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Nothing erases completely.

Rub out a line and the paper still remembers it. The dents, the smudges, the eraser dust: all of it ends up in the drawing.

A close crop of a graphite face and surrounding fish forms.

The dark is drawn too.

A black passage can take longer than a likeness. If it doesn't sit right, the whole drawing slides.

Prints, when the proofs are right.

The first edition is still being proofed. Until it opens, everything here is for looking.

Exhibitions, commissions, or a visit to the studio.

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